It’s been four years since we last saw Batman on the big screen but can The Dark Knight Rises live up to the hype? Tom Midwood finds out.
A documentary about a chimp raised by humans, Project Nim powerfully challenges the concept of nature versus nurture, says Matt Smith.
The story of ‘horse whisperer’ Buck Brannaman is a beautifully filmed window into the subculture of horse lovers, says Suzannah Marshall Macbeth.
It’s been four years since we last saw Batman on the big screen but can The Dark Knight Rises live up to the hype? Tom Midwood finds out.
A documentary about a chimp raised by humans, Project Nim powerfully challenges the concept of nature versus nurture, says Matt Smith.
The story of ‘horse whisperer’ Buck Brannaman is a beautifully filmed window into the subculture of horse lovers, says Suzannah Marshall Macbeth.
Matt Smith reviews Quentin Tarantino’s latest offering of gore and violence.
It’s been four years since we last saw Batman on the big screen but can The Dark Knight Rises live up to the hype? Tom Midwood finds out.
A documentary about a chimp raised by humans, Project Nim powerfully challenges the concept of nature versus nurture, says Matt Smith.
The story of ‘horse whisperer’ Buck Brannaman is a beautifully filmed window into the subculture of horse lovers, says Suzannah Marshall Macbeth.
The Muppets are back, and they’ve got the fart shoes to prove it, says Matt Smith.
The new Spielberg film War Horse is overdramatised, says Suzannah Marshall Macbeth, but nonetheless it is a moving story of the Great War’s innocent participants: the horses.
With a plot significantly more intelligent than alternative 3D animation fare, The Adventures of Tintin is a standard Spielberg movie full of dumb, fun action scenes says Matt Smith.
A modern comedy which may not promote yuletide cheer, Four Holidays reminds us that familial dysfunction is just another part of Christmas, says Melissa Koutoukidis. It’s out last entry for the upstart Christmas project.
Die Hard is a festive cacophony of expletives and explosions, says Siobhan Argent in this review for the upstart Christmas project.
Tim Allen in The Santa Clause is a family-friendly offering sure to get you into the festive spirit, says Stephanie Kenéz in this review for the upstart Christmas project.
Drive aims to be both an action and an art house movie, but ultimately achieves neither, says Matt Smith.
Johnny English Reborn is predictable and silly, but Suzannah Marshall Macbeth says it succeeds as a parody of the Bond spy genre and turns out to be so much more fun in the process.
Horrible Bosses is an entertaining and at times laugh-out-loud comedy that has enough funny moments to make it a movie to watch, says George Galanis.
The movie Red Dog is based on the true story of a dog who became famous for his travels across Western Australia’s Pilbara region in the 1970s. Suzannah Marshall Macbeth was moved by this evocative, funny story of a community brought together by a dog.
Nannerl Mozart is just as talented as her brother Wolfgang, but she is forbidden from composing music by virtue of her gender. The film’s beautiful score makes Suzannah Marshall Macbeth wonder what could have been.
Cameron Diaz stars in the new flick Bad Teacher. The film is offensive and crude, but definitely worth watching, according to Timothy Arendshorst.
Part 2 of Harry Potter and the Deathly Hallows has plenty of flaws, says reviewer Corina Thorose, ranging from lacklustre dialogue to the absence of key parts of the story. In the end, however, it’s a worthwhile conclusion to the Harry Potter franchise.
The Hangover Part II is constrained by design, being forced to replicate the structure of the first Hangover film. However, George Galanis says Part II is still funny and worth the ride.
Oranges and Sunshine is the story of a social worker who uncovered the forced migration of children from Britain to Australia in the 1950s and 1960s. For James Madden, it is an important and emotional story.
On Stranger Tides is not as silly as the previous two films in the Pirates series, says Suzannah Marshall Macbeth. Of course, it’s Captain Jack Sparrow who saves the day, and the movie.
