Theatre production changing perceptions of chronic illness.
Two actors explain their professional difficulties
This year’s Melbourne Fringe Festival is challenging conventional theatre styles, writes Jordan Drummond.
Theatre production changing perceptions of chronic illness.
Two actors explain their professional difficulties
This year’s Melbourne Fringe Festival is challenging conventional theatre styles, writes Jordan Drummond.
As movie-goers return, people are reminded to be respectful.
Theatre production changing perceptions of chronic illness.
Two actors explain their professional difficulties
This year’s Melbourne Fringe Festival is challenging conventional theatre styles, writes Jordan Drummond.
The announcement of a closing date for the Astor Theatre signifies an impending loss of Melbourne culture, writes Samuel Trask-Marino.
Dave Warneke discovers why the pop up venue Tuxedo Cat is the unofficial hub for alternative comedy during this year’s Melbourne International Comedy Festival.
In this modern reworking of an Ibsen classic, Simon Stone’s production of The Wild Duck is a shorter affair. But it still packs a punch, writes Mary-Lou Ciampa.
It’s always dangerous territory when classical Shakespearean plays are adapted in abstract ways. But Erdem Koc writes that putting Macbeth and co in the kitchen has proven to be just the recipe.
Red Stitch Actors Theatre kicks off the year with the play Good People and Mary-Lou Ciampa reviews it.
British playwright Tom Stoppard visits Australia and talks about his writing, his inspirations and the collaborative process that is theatre-making. Mary-Lou Ciampa caught him at the Sydney Opera House.
’Til Divorce is a tragically comedic look at a disintegrating marriage. Suzannah Marshall Macbeth reviews the first production from Thorny Devil Theatre, now showing as part of the Melbourne International Comedy Festival.
