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August 1, 2011

From country boy to his own media company

The journey to the top of the media industry often starts from humble beginnings. William Botoulas asked Craig Hutchison how a boy from Warragul came to be CEO of his own media company.

Meet the new upstart team

This week, we welcome upstart’s new editorial team. We hope you like them. And we really want you to pitch your stories to them.

Film review: Mozart’s sister

Nannerl Mozart is just as talented as her brother Wolfgang, but she is forbidden from composing music by virtue of her gender. The film’s beautiful score makes Suzannah Marshall Macbeth wonder what could have been.

From country boy to his own media company

The journey to the top of the media industry often starts from humble beginnings. William Botoulas asked Craig Hutchison how a boy from Warragul came to be CEO of his own media company.

Meet the new upstart team

This week, we welcome upstart’s new editorial team. We hope you like them. And we really want you to pitch your stories to them.

Film review: Mozart’s sister

Nannerl Mozart is just as talented as her brother Wolfgang, but she is forbidden from composing music by virtue of her gender. The film’s beautiful score makes Suzannah Marshall Macbeth wonder what could have been.

more from August 1, 2011

Born to believe or not to believe

A public forum in Melbourne has explored the state of the public debate on climate change science. Kate Scarff went along to hear about the media’s role in the debate.

From country boy to his own media company

The journey to the top of the media industry often starts from humble beginnings. William Botoulas asked Craig Hutchison how a boy from Warragul came to be CEO of his own media company.

Meet the new upstart team

This week, we welcome upstart’s new editorial team. We hope you like them. And we really want you to pitch your stories to them.

Film review: Mozart’s sister

Nannerl Mozart is just as talented as her brother Wolfgang, but she is forbidden from composing music by virtue of her gender. The film’s beautiful score makes Suzannah Marshall Macbeth wonder what could have been.