It’s been a big week for a number of upstart contributors. Editor Erdem Koc and final-year students Kelly Theobald and Tom Cowie are off to Kuwait to join a study tour for Australian journalism students. And our sports section is ramping up for the summer with new features about Melbourne’s spring carnival and the resurgence of roller derby.
Just what is it about Woodstock that still engages a whole generation that was born years after the peace/love/music/mud music festival at a farm in New York state 40 years ago? With the new film Taking Woodstock in our cinemas this week, Elise Moore considers why the power of that event still resonates.
It’s been a big week for a number of upstart contributors. Editor Erdem Koc and final-year students Kelly Theobald and Tom Cowie are off to Kuwait to join a study tour for Australian journalism students. And our sports section is ramping up for the summer with new features about Melbourne’s spring carnival and the resurgence of roller derby.
Just what is it about Woodstock that still engages a whole generation that was born years after the peace/love/music/mud music festival at a farm in New York state 40 years ago? With the new film Taking Woodstock in our cinemas this week, Elise Moore considers why the power of that event still resonates.
In our second piece this week on senior sportsmen, Elise Moore profiles the world’s oldest competitive rower, Ralph Howard, who is competing this week in the Sydney 2009 World Masters Games.
It’s been a big week for a number of upstart contributors. Editor Erdem Koc and final-year students Kelly Theobald and Tom Cowie are off to Kuwait to join a study tour for Australian journalism students. And our sports section is ramping up for the summer with new features about Melbourne’s spring carnival and the resurgence of roller derby.
Just what is it about Woodstock that still engages a whole generation that was born years after the peace/love/music/mud music festival at a farm in New York state 40 years ago? With the new film Taking Woodstock in our cinemas this week, Elise Moore considers why the power of that event still resonates.
