Sometimes it’s tough choosing between the ‘goodies’ and the ‘baddies’. In the latest addition to our list of #topjournobooks, Kelly Theobald examines Truman Capote’s true crime classic ‘In Cold Blood’.
What are the books that every journalist should read? upstart is on the hunt for the essential list and we want your suggestions.
It was one of the most devastating political detective stories of the 20th century and helped bring down a President. After 35 years, Tom Cowie discovers why “All The President’s Men” is still a great read.
Sometimes it’s tough choosing between the ‘goodies’ and the ‘baddies’. In the latest addition to our list of #topjournobooks, Kelly Theobald examines Truman Capote’s true crime classic ‘In Cold Blood’.
What are the books that every journalist should read? upstart is on the hunt for the essential list and we want your suggestions.
It was one of the most devastating political detective stories of the 20th century and helped bring down a President. After 35 years, Tom Cowie discovers why “All The President’s Men” is still a great read.
In the latest of our series of #topjournobooks, Lawrie Zion gives two big thumbs up to Nobody’s Perfect, by New Yorker movie reviewer, Anthony Lane.
Sometimes it’s tough choosing between the ‘goodies’ and the ‘baddies’. In the latest addition to our list of #topjournobooks, Kelly Theobald examines Truman Capote’s true crime classic ‘In Cold Blood’.
What are the books that every journalist should read? upstart is on the hunt for the essential list and we want your suggestions.
It was one of the most devastating political detective stories of the 20th century and helped bring down a President. After 35 years, Tom Cowie discovers why “All The President’s Men” is still a great read.
It was panned by the critics when first published, but 38 years later Hunter S. Thompson’s “Fear and Loathing in Las Vegas” remains a highly influential book, especially for journalists. Michael Calle considers its legacy.
War reporting is changing, and as Hanna Jacobsen writes, the controversial book “Fit to Print – misrepresenting the Middle East” paints a distrurbing picture of the future of the role of the foreign correspondent.
Is there such a things as too much choice? Sarah Baker takes a look at a recent book that examines the consequences of an era where almost everything is optional.
