A recent trip to Thailand exposed Jude James to an often overlooked element of live trade, writes Max Finch.
Just how does art work become an exhibition? Max Fin went along to Sarah Berners’s “Play Pen” to find out.
The Lost Dogs’ Home celebrated the launch of Baz Luhrman’s latest cinematic adventure with a party where guests could leave with their favourite whiskered friend.
A recent trip to Thailand exposed Jude James to an often overlooked element of live trade, writes Max Finch.
Just how does art work become an exhibition? Max Fin went along to Sarah Berners’s “Play Pen” to find out.
The Lost Dogs’ Home celebrated the launch of Baz Luhrman’s latest cinematic adventure with a party where guests could leave with their favourite whiskered friend.
Maxwell Finch checks out Hancock’s new show at GoGo bar in the city. It involves dark artwork in a basement bar with banging drinks.
A recent trip to Thailand exposed Jude James to an often overlooked element of live trade, writes Max Finch.
Just how does art work become an exhibition? Max Fin went along to Sarah Berners’s “Play Pen” to find out.
The Lost Dogs’ Home celebrated the launch of Baz Luhrman’s latest cinematic adventure with a party where guests could leave with their favourite whiskered friend.
Anette Bråthen Moen tells the story of Vesper White, a Melbourne burlesque artist, in photographic form.
